Sundays, 9am

Australian-born, former Mount Scopus boy, Warren Wills has been based in London for 35 years, where he has worked tirelessly as a pianist, composer, music director, arranger, educationalist, working in both commercial and community theatre. He is a multi award winning talent and highlights in London include:


▪    founder and creator of Haringey Shed received the UK’s most prestigious awards – Philip Lawrence Award and Community Heroes, December 2009. This is a socially inclusive music theatre group for disadvantaged and disabled youth.
▪    Winner, Best Musical: Carling London Award 1992 for Pin-Money Opera, which he co-wrote with Christina Jones. This was one of seven operas that he and Christina created and presented with Babel Theatre company in the ’90s in London.
▪    Runner-up, Critics Circle Award: 1993 for Josephine. The musical celebrating the life of Josephine Baker.
▪    Twice finalist for the Vivian Ellis Award for Moscow Belongs to Me and House of Obsession, as put forward by Sir Tim Rice.
▪    Musical director/arranger of Soul Train: nominated for Olivier Award for Best Entertainment
▪    Composer of the Critics Choice piece Card Index: written by Taduesz Rozevic, at the BAC .
▪    Warren has a worldwide record deal with Prestige with his releases, and currently has 25 albums out worldwide.
▪    Composed and plays keys on the album Lost and Found with Sharon D Clarke, who this year won the Olivier Award for best actress in a musical for Caroline or Change.
▪    Composer of Great Expectations in UK/Philadelphia co-production, directed by Mark Clements.

He has also composed with and for Woody Allen, Royal Shakespeare Company, Margaret Atwood, Pamela Anderson, Sheila Ferguson, the Drifters and many others.

London Beat is a weekly arts show looking at the music, theatre and arts scene in the world with a slant on London. Lots of lively interviews with the shakers and movers from the pulse of Shaftesbury Avenue. 


Listen On Demand

25 Feb 2024, 9am

25 Feb 2024, 9am The London Beat %The London Beat% %Warren Wills%

18 Feb 2024, 9am

18 Feb 2024, 9am The London Beat %The London Beat% %Warren Wills%

11 Feb 2024, 9am

11 Feb 2024, 9am The London Beat %The London Beat% %Warren Wills%

4 Feb 2024, 9am

4 Feb 2024, 9am The London Beat %The London Beat% %Warren Wills%

28 Jan 2024, 9am

28 Jan 2024, 9am The London Beat %The London Beat% %Warren Wills%

21 Jan 2024, 9am

21 Jan 2024, 9am The London Beat %The London Beat% %Warren Wills%

14 Jan 2024, 9am

14 Jan 2024, 9am The London Beat %The London Beat% %Warren Wills%

7 Jan 2024, 9am

7 Jan 2024, 9am The London Beat %The London Beat% %Warren Wills%

31 Dec 2023, 9am

31 Dec 2023, 9am The London Beat %The London Beat% %Warren Wills%

24 Dec 2023, 9am

24 Dec 2023, 9am The London Beat %The London Beat% %Warren Wills%

17 Dec 2023, 9am

17 Dec 2023, 9am The London Beat %The London Beat% %Warren Wills%

10 Dec 2023, 9am

10 Dec 2023, 9am The London Beat %The London Beat% %Warren Wills%

3 Dec 2023, 9am

3 Dec 2023, 9am The London Beat %The London Beat% %Warren Wills%